The Polyphony
This student magazine is not just a place to publish writings, but also place for unbinding creativity, personal journeys, vulnerability, identity, and more things connected with our world. In this piece, author and co-editors try to catch this freely roaming “living-entity” by their words, and introduce its messinesses and uniqueness it to readers.
Seated on a slow train, the author reflects on its contrast of our fast-paced lives overloaded with online-stimulation. In Away in the Snowy Solitude, the reader is transported from an unpleasant past to uncertain future challenges. Neo’s narrative bridges the mind to the icy straight railroad, seeking serenity as he gets lulled by the snowflakes through his every step.
This essay by Genki Hase captures the layered juxtaposition of gazes, time-space, and ecological disturbances experienced during fieldwork at the Genkai Sea coastal areas. He explores how diverse ways of seeing—through the observation of windmills, forests, aquatic life, and human interactions—illuminate the interconnectedness of selves and landscapes.
What happens when a movie character physically steps out of the screen? Woody Allen shows us that it could be a magical and romantic adventure — an adventurer steps out of the world of film, carrying with him the courage and romance written into his character, and ventures into the vibrant and colorful world of reality. Let us follow Susan’s perspective and step into this whimsical film — The Purple Rose of Cairo.
In the early 1990s, the burst of Japan’s economic bubble led not only to financial turmoil but also to a significant brain drain. The so-called “Lost Decade” brought a sharp decline to Japan’s once-thriving electronics and semiconductor industries, with companies downsizing, resources dwindling, and innovation capacities weakening. Kha guides us through this period, revealing how the collapse of the bubble economy triggered profound changes in Japan’s tech industry.
Science fiction cinema has evolved and enriched our wealth of imagination. With concepts such as cyborg figures and non-human characters challenging human dominance, Susan has drawn us into another dimension of nonhuman-centric structures, paving the way for a more diverse perception of subjectivity.
The Polyphony