The Polyphony
From the early era of television and newspaper domination to the explosion of social media, visual-based publicity has had fundamental effects on the minds of mankind. In this paper, Le Ngan Ha Dieu argues that visual publicity now is sometimes only what we aspire for, not entirely representing our reality.
This three part article will explore Seattle, Washington in two different time periods, from two different documentary styles, and view the differences and similarities between the homeless street people of then versus more contemporary street denizens. This piece will also explore the notion of self and how it may become lost to those dwelling on the streets.
This illness narrative is an intentionally incomplete and open-ended work that attempts to create a dialogue with a girl called Suzu through the lens of illness and suffering.
本レポートでは、このような多元主義と新自由主義的な考え方が同時進行している背景をふまえ、現代の潮流にどのように博物館が自身を変化させ、社会に適応していっているのかをオランダのポップアップミュージアムを例に探っていく。
Pictures seem to prompt more thoughts and imaginations on what else the subject can be, and understanding a picture then creates a compilation of thoughts on its representations, combined with an eagerness to think even more. Hence a need to branch out to even more representations.
立入禁止区域という名の排他区域は、放射能と歴史的背景に由来するこの地域に根差した排他性とは裏腹に、人々を芸術作品を媒介として包摂していったということではないだろうか。
The Polyphony